Cross-reference roulette system: Cross referencing is a type of analysis where all available data is considered, and used to detect usable patterns. What makes it special is the data cross-referenced to ensure accuracy. This enables the player to better find hidden patterns in spins, and in less time. Also it enables players to quickly adjust when conditions at the wheel change. The method of cross referencing is not exclusive to roulette, and can be applied to other casino games. But this particular roulette system is combined with other predictive methods that are exclusive to roulette.
There are 17 main types of bets in European roulette and one extra bet in American. This extra bet is the Basket bet, which is by far the worse bet one can make and should be avoided. It bets 5 numbers 0, 00, 1, 2, 3 has a winning odds of 5:38 and only pays 6:1, which means a player disadvantage (house edge) of 7,9%, which is extremely unfair compared with the standard 5,3% house edge of all other bets of the American, double zero, roulette or the 2,7% house advantage of the European, single zero, roulette.
It's important to understand that the outcome of the roulette wheel is truly random. If Black has come up for the last 10 spins in a row, the next spin is not more likely to be Red. Black and Red are still equally likely. There's an old saying, "The wheel has no memory." That means it doesn't know what it spun before, and even if it did, the wheel can't select what number comes up out of its own volition. There's more on this in my article Debunking the Gambler's Fallacy.
Now, on Broadway Roulette's website FAQ section, they say "We do not include any partial view seats in our mix". However, my friends got LAST ROW of orchestra. They were not only extremely far from the stage, but worse, whenever King Kong stood up, they could not even see his head because of the extreme mezzanine overhang. My friends ended up paying above average for their tickets but got some of the worst seats in the Broadway Theatre, arguably quite partial in view.